Medal design

The route, cast in enamel.

A gold rim, a full-color scene, paddles and a ball, and a ribbon in that place's colors. You play at home. The medal is where the route went.

Three Pennant Court destination medals on marble

The lineage

How a medal got this shape.

Round, because coins were round. Then finisher medals left the disc — enamel, a plaque, a ribbon you can read from across a room.

  1. A thick cast-bronze Renaissance portrait medal with no ribbon
    Ferrara

    Cast, like a coin

    Pisanello casts a bronze portrait medal at the Council of Ferrara — the form most historians call the first Renaissance medal. Round because Roman coins were round. A face on the obverse, a story on the reverse. You hold it. No ribbon yet.

  2. A small bronze athletic medal with a thin navy ribbon
    Boston

    Everyone who finishes

    The first Boston Marathon has ten finishers. Each gets a medal. That is the sports finisher: the same object for completing the course, not for beating someone. Ranking medals — gold, silver, bronze — arrive later, at the Olympics.

  3. A gold sports medal hanging from a striped green-and-cream ribbon
    Rome

    Hung from the neck

    Olympic medals were pinned to the chest until Rome hung them on a chain. The coloured ribbon follows. Military campaign medals had already solved this: a bar you can read from across a room when the metal is in a drawer.

  4. Pennant Court Kitchen Line medal, a green court in full-color enamel
    Your court

    A pickleball finisher

    Soft enamel, a gold rim, the route drawn as a scene — a kitchen, palms, a bridge. A ribbon in that place's colors. You play at home. The medal arrives in the mail. Same medal for everyone who hits the count — closer to those ten in Boston than to a podium.

The vocabulary

Four words the metal still uses.

Obverse
The face. Renaissance medals put a portrait here. Ours is the route: a paddle, palms, a bridge.
Reverse
The story on the back. Pisanello put an emperor on horseback. A table medal you turn over in the hand.
Relief
Hills and valleys in the metal. An antique wash sits in the recesses so the paddle reads — the same job a bronze patina did on the first cast medals.
Ribbon
Heraldry you can read from across a room. Campaign medals used colour this way before sports did. Each Pennant Court ribbon matches its route — palms, stars, rain, a hibiscus.

The collection

A medal for the route you actually played.

The foundry

Cast. Plate. Finish.

  1. 01

    Die-cast

    Renaissance medals were cast. Mints later struck them from dies. Modern race medals came back to casting: zinc alloy injected into a steel mold, because 3D relief at volume is a casting problem. The raw disc is silvery-grey. It is not gold yet.

  2. 02

    Electroplate

    The casting is polished, then hung in a plating bath. Gold, nickel, copper, or black nickel — a skin, not a nugget. The last solid-gold Olympic medals were too expensive to keep.

  3. 03

    Antique and ribbon

    Soft enamel fills the scene. Raised gold lines stay bright. The ribbon matches the route, so you can tell Naples from Brooklyn before you read the name.

Antique gold

Gold electroplate + oxidised wash

Warm gold on the high points, darkened recesses. The wash is what makes 3D relief readable. House finish for Kitchen Classics and most of the American tour.

Antique silver

Nickel plate + charcoal wash

Cool pewter with a charcoal antique. Hides fingerprints. Used where the place is grey water, fog, or a long map.

Antique bronze

Copper plate + brown patina

Earthy, heavy in the hand. Recesses go almost black. Desert, Odyssey, and other long-wear medals.

Polished gold

Bright gold, no antique wash

Mirror plate. First medals and tropical enamel sit on this so the color, not the patina, does the talking.

Black nickel

Gunmetal nickel, polished

Near-black until the light hits it, then it flashes like silver. Night courts, Tokyo dusk, Brooklyn steel.

Dual plate

Gold bezel over black nickel disc

Two baths, masked. The outer ring stays gold; the inner field goes dark. Championship contrast. Golden Gate and the 50-Court atlas.

A Rallyite wearing a Pennant Court finisher medal

Ships when you finish

No start-line expo. No packet pickup. When the game count is done you claim the medal in your rally log and it leaves the workshop. Shipping is inside the United States only. The ribbon is meant to be worn on the court the next week, not stored in a drawer — the same reason campaign medals hung from a bar instead of living in a box.